The Last Wild Buffalo

Born in the backyards of Utah, forged in the wilds of Alaska, and tested on the road across 13+ states, The Last Wild Buffalo is more than just a band—it's a movement. An Americana powerhouse blending folk, rock, bluegrass, and a rebellious streak of punk, they burst onto the scene with an energy and sound as untamed as the landscapes that shaped them.

Originally finding their sound in Alaska, Jonny Celaya and Isaac Woodruff returned home and set fire to the Utah music scene while attending Utah State University, quickly becoming a local sensation. In June of 2024, the band officially formed, adding members Ella Celaya and Troy Lybbert. Together, they hit the road on a self-funded nine-week tour, playing 33+ shows across the country. By year's end, they had performed more than 100 times, sharpening their live show into an electrifying experience and building a fiercely loyal fan base along the way. That momentum carried through the release of their self-titled debut album and a surprise EP, culminating in near-instant sellouts at home-state venues across Utah's diverse music scene.

In 2025, The Last Wild Buffalo returned to the studio and poured themselves into what would become their second full-length album, set for release on April 24, 2026. Torn in the best way between the road and the writing room, the band has continued to chase something deeper than songs alone. For them, this has never just been about music. It's about building something lasting, something real, and creating a space where every person who walks into a show feels like they belong.

Whether on stage, on the road, or deep in the creative process, The Last Wild Buffalo is here to stay—pouring everything they have into every note, every song, and every moment they share with the people who listen.

Daniel Young is a singer-songwriter, guitarist, drummer, sound engineer, and producer from Salt Lake City. He grew up on the side of a tall mountain, and that sense of forceful elevation informs all of his work. Daniel's been recording and performing for over two decades—and he's not that old, which tells you much of what you need to know about his commitment to craft, about how deep this runs with him.

There's a heft to the light in the early evening, when every easterly surface shines. That mayfly incandescence, where nothing gold can stay, though it might flash long enough for you to touch its flaming tail. That's the light Daniel Young captures on Another Golden Hour: it was absorbed on the side patio where the songs were born, carried to the basement where they were magnetized, and it's now refracted back to the air around our heads, where those same songs will fade and be reborn. A small resurrection, a rotational miracle; another day, another golden hour. Recorded at Orchard Studios over a two-day session with only a handful of overdubs, Young worked once again with the Rambling Roses, the same crew he had along for 2024's Leave It Out to Dry. They achieve a rare merger of time, texture, and temperament—a unity that miraculously preserves the uncanny elements of each component.

These songs extend Young's abiding interests—and the crazy quilt of his life and times: "Baby, Baby Blue" is a tribute to the dearly departed KSOP (AM 1370), a seventy-year veteran of the good fight of country music and its amplitude modulations; "Holdin' Up" is an earnest question issued to the new depression; "Fires Shall Be Ceased" and "Ways to Communicate" draw on the righteous, rangy energy of a protest tradition that reaches back to Woody Guthrie and the ghosts of Joe Hill that haunt the Wasatch; the title cut is a wavey, dripping distillation of all the sounds that have been trailing Young over the years. Another Golden Hour is a bid for hard-earned hope. You better believe it.