The Allman Betts Band

Presented/Guest
Utah Blues Festival Presents
with Marc Ford
and River Kittens
Date
Saturday, September 18, 2021
Time/Doors
Doors 8 | Show 9
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Description

In December of 2017, Devon Allman was ready. After a year of mourning the losses of his mother and father, Allman was ready to make music again. He deeply appreciated all of the condolences and well-wishes, but, respectfully, it was time to forge ahead.

Allman organized a concert at the historic Fillmore in San Francisco to honor the music and memory of his father, founding Allman Brothers Band keyboardist and singer, Gregg Allman, and also to debut his new band, The Devon Allman Project. A proverbial star-studded affair- with guests such as G. Love and Robert Randolph- the marathon performance also marked the beginning of a partnership with Duane Betts, son of founding Allman Brothers Band guitarist and singer, Dickey Betts. It was time, in that historic venue, to pass the spirt to this next generation. It was time to take all the lessons of the past, all their collective experiences, and make something new.

Betts recently had turned solo after a touring stint with folk-rockers Dawes, and would serve as an opening artist on the Devon Allman Project 2018 world tour, as well as joining Allman each night for a musical tip of the hat to their respective fathers. The year-long trek was the first to pair Allman and Betts, and saw the two tally nearly 100 dates at theatres and festivals nationally and internationally, including a summer leg in Europe, and notable appearances at Colorado’s venerable Red Rocks amphitheater, the Peach Festival, Gov’t Mule’s Island Exodus in Jamaica, and a return to The Fillmore for the second annual, sold-out Allman Family Revival.

2018 provided them a certifiable proof-of-concept: Performing a repertoire gleaned mostly from their respective solo careers, as well as a handful of Brothers gems, the Devon Allman Project with Duane Betts consistently drew audiences growing in size and enthusiasm with each successive leg.

Now, they were both determined to embrace a new challenge; to write and record new music that could someday join the classics; to wow new audiences; to form a new band. During off-days on the bus or in hotel rooms, Devon and Duane collaborated on new original material, inviting respected songwriter Stoll Vaughn for writing sessions on the road.

On the still-smoldering heels of the hugely successful Project world tour, Devon and Duane circled back to their roots for this ambitious next step. They called up their old friend Berry Duane Oakley, son of the Allman Brothers Band’s founding late bassist, Berry Oakley, and floated the idea of joining them. The trio’s musical friendship traces back to The Allman Brothers Band’s 20th anniversary summer tour in 1989 when the three first met, and often sat-in with the Rock-And-Roll Hall of Fame inductees; teenage descendants rightfully joining a rock-and-roll legacy.

As well, they recruited seasoned players from the Project ensemble: slide guitar sorcerer Johnny Stachela, drummer John Lum, and percussionist R Scott Bryan (Sheryl Crow). In November of 2018, they announced the formation of The Allman Betts Band.

Enlisting producer Matt Ross-Spang (Jason Isbell, Margo Price) the band booked a post-Thanksgiving week at the famed Muscle Shoals Sound Studios. They brought in Gregg’s former bandmate, Peter Levin, and former Allman Brother and current Rolling Stone’s keybordist Chuck Leavell as guests, adding organ and piano. For a subsequent world tour, they recruited keyboardist John Ginty (Dixie Chicks, Robert Randolph). Motivated by classic recording techniques and vintage gear in the historic Alabama studio, they cut the album live. No computers. No digital editing. Setting-up as one in the studio, they tracked nine songs on two-inch analog tape, resulting in their debut album, Down to the River, a Top-10 entry on several rock charts including Number One on iTunes Rock, released in June of ’19.

This is The Allman Betts Band.

The Allman Betts Band is:

Devon Allman – guitar, vocals

Duane Betts – guitar, vocals

Berry Duane Oakley – bass, vocals

Johnny Stachela – guitar, vocals

John Ginty – keyboards

R Scott Bryan – percussion, vocals

John Lum – drums

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Marc Ford

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Note for note, Marc Ford ranks as one of the world’s preeminent guitarists. Even so, his songcraft commands the utmost respect. Ford is no one trick pony. Keyboardist Johnny Neel once said: “Marc Ford’s an actual genius. He has the best guitar sound I’ve ever heard.”

Ford’s career began in Los Angeles during the 1980s. His group, Burning Tree, captured the essence of his guitar virtuosity and songwriting.

He joined the Black Crowes in late 1991. Ford toured and recorded on three of the Crowes’ finest albums--The Southern Harmony and Musical Companion, Amorica, and Three Snakes and One Charm. Ford’s tenure in the Crowes found the group operating at a zenith. He rejoined the Crowes in 2005-2006 when they toured and released The Lost Crowes--two albums the band never released when he was a member.

In 2002, Ford released his first solo album, It’s About Time. During this era, Ford experienced the highs and lows of surviving in a cutthroat music business through the years as well as being a dedicated family man. Ford’s following solo albums included Weary And Wired (2007), The Fuzz Machine (2010) and Holy Ghost (2014).

Ford won a NAACP award (John F. Kennedy counts as one of the few other Caucasians bestowed the honor) for his work on the Ben Harper and Blind Boys of Alabama album There Will Be A Light.

Also, Ford’s role as a record producer allowed him to use his gift of tone and a powerful ability to listen. Artists he produced include Ryan Bingham, Pawnshop Kings, Steepwater Band, Chris Lizotte, Phantom Limb and Republique du Salem. Marc Ford exists as a musical architect of the highest order.

Through his career Marc Ford has performed and recorded with Izzy Stradlin, Gov’t Mule, The Jayhawks, The Original Harmony Ridge Creekdippers, Federale, Widespread Panic, Blue Floyd, Booker T. Jones, Ivan Neville and Heartbreaker Mike Campbell.

The group on The Vulture, The Neptune Blues Club, recorded their debut album in 2009, which charted at #15 for two weeks on the blues charts. This versatile ensemble includes Mike Malone (vocals, harp, keys), John Bazz (bass), Anthony Arvizu (drums) and Ford. Mr. Ford unleashes his hypnotic guitar skills on these soulful tunes.

The Vulture was recorded on analog tape at mastermind John Vanderslide’s Tiny Telephone Studios located in the mission district of San Francisco. The Vulture emits Ford’s greatest strengths: soulful musicianship, memorable songs and an emotive groove.

Ford explained the ethos of these new compositions: “If Holy Ghost was Sunday morning, then The Vulture is Saturday night…”

The opening track--”Devil’s In the Details”--emerges as one of Ford’s finest. The tune operates in his electric wheelhouse. He’s like Clint Eastwood with a guitar. The well-crafted “The Same Coming Up” clocks in at one minute and fifty seconds emitting joyous rock n roll. “All We Need To Do Is Love” eases the listener into pastoral reflection. “This Ride” inspires reckless abandon. The title track contains Ford’s signature snakebite guitar work as he delivers a savage truth in the lyrics: “Got a head full of diamonds/And a nose full of snow/You leave a trail of destruction/Everywhere that you go/Got a shrug of the shoulder/For all that you stole.”

“Arkansas Gas Card” stands as one of the group’s stellar numbers that transfers with brilliance to a live audience. “Old Lady Sunrise” travels into sonic backwaters of a low-country swamp like some vintage STAX Records jewel. The gospel-laced “Deep Water” explores redemptive sanctuaries where matters of the soul are at stake.

“Shalimar Dreams” augments a gritty R&B, rock-n-roll magic in a mesmerizing sound that surrounds the listener. The last cut, “Girl of Mine”, is a love song Ford sings and provides steel on as the group provides a sparse, yet concise musical backdrop.

It’s harvest time for Marc Ford. Over the years he’s created his own stellar sound that meets all the rigid standards of excellence. The Vulture represents another timeless volume in Marc Ford’s inimitable musical journey...

James Calemine